rebuild
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aoir-823/index.html
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759
aoir-823/index.html
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<!doctype html>
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||||
<html lang="en">
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||||
<head>
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<meta charset="utf-8">
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<meta name="viewport" content="width=device-width, initial-scale=1.0">
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||||
<title>AOIR 8.2.3</title>
|
||||
<meta name="description" content="The long-running and erratically updated blog of Kathleen Fitzpatrick.">
|
||||
<link rel="alternate" href="feed/feed.xml" type="application/atom+xml" title="kfitz">
|
||||
<script async="" src="https://talk.hyvor.com/embed/embed.js" type="module"></script>
|
||||
<link rel="webmention" href="https://webmention.io/kfitz.info/webmention">
|
||||
<link rel="pingback" href="https://webmention.io/kfitz.info/xmlrpc">
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
<style>/**
|
||||
* okaidia theme for JavaScript, CSS and HTML
|
||||
* Loosely based on Monokai textmate theme by http://www.monokai.nl/
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||||
* @author ocodia
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||||
*/
|
||||
|
||||
code[class*="language-"],
|
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pre[class*="language-"] {
|
||||
color: #f8f8f2;
|
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background: none;
|
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text-shadow: 0 1px rgba(0, 0, 0, 0.3);
|
||||
font-family: Consolas, Monaco, 'Andale Mono', 'Ubuntu Mono', monospace;
|
||||
font-size: 1em;
|
||||
text-align: left;
|
||||
white-space: pre;
|
||||
word-spacing: normal;
|
||||
word-break: normal;
|
||||
word-wrap: normal;
|
||||
line-height: 1.5;
|
||||
|
||||
-moz-tab-size: 4;
|
||||
-o-tab-size: 4;
|
||||
tab-size: 4;
|
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|
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|
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|
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-ms-hyphens: none;
|
||||
hyphens: none;
|
||||
}
|
||||
|
||||
/* Code blocks */
|
||||
pre[class*="language-"] {
|
||||
padding: 1em;
|
||||
margin: .5em 0;
|
||||
overflow: auto;
|
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border-radius: 0.3em;
|
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}
|
||||
|
||||
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|
||||
pre[class*="language-"] {
|
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background: #272822;
|
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|
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|
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/* Inline code */
|
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padding: .1em;
|
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|
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|
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|
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|
||||
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|
||||
cursor: help;
|
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|
||||
/*
|
||||
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|
||||
*/
|
||||
|
||||
pre[class*="language-diff-"] {
|
||||
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||||
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|
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|
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/* Make the + and - characters unselectable for copy/paste */
|
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.token.prefix.unchanged,
|
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|
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|
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|
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|
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.token.prefix.inserted,
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/* Optional: full-width background color */
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display: block;
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|
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text-decoration: none; /* override del, ins, mark defaults */
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color: inherit; /* override del, ins, mark defaults */
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/* This is an arbitrary CSS string added to the bundle */
|
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/* Defaults */
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|
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font-family: "Atkinson Hyperlegible";
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src: url('/css/files/atkinson-hyperlegible-latin-400-normal.woff2') format('woff2');
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font-display: swap;
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}
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@font-face {
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font-family: "Atkinson Hyperlegible";
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font-weight: bold;
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src: url('/css/files/atkinson-hyperlegible-latin-700-normal.woff2') format('woff2');
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font-display: swap;
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font-family: "Atkinson Hyperlegible";
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font-style: italic
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src: url('/css/files/atkinson-hyperlegible-latin-400-italic.woff2') format('woff2');
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font-display: swap;
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}
|
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:root {
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|
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--font-family-monospace: Consolas, Menlo, Monaco, Andale Mono WT, Andale Mono, Lucida Console, Lucida Sans Typewriter, DejaVu Sans Mono, Bitstream Vera Sans Mono, Liberation Mono, Nimbus Mono L, Courier New, Courier, monospace;
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||||
font-size: 18px;
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}
|
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/* Theme colors */
|
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:root {
|
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--color-gray-20: #e0e0e0;
|
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--color-gray-50: #C0C0C0;
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--color-gray-90: #333;
|
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--background-color: #fff;
|
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--text-color: var(--color-gray-90);
|
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|
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--text-color-link-active: #853439;
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--text-color-link-visited: #e8325e;
|
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|
||||
--syntax-tab-size: 2;
|
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}
|
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|
||||
@media (prefers-color-scheme: dark) {
|
||||
:root {
|
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--color-gray-20: #e0e0e0;
|
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--color-gray-50: #C0C0C0;
|
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|
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|
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/* --text-color is assigned to --color-gray-_ above */
|
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--text-color-link: #1493fb;
|
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--text-color-link-active: #6969f7;
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--text-color-link-visited: #a6a6f8;
|
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|
||||
--background-color: #15202b;
|
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}
|
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}
|
||||
|
||||
|
||||
/* Global stylesheet */
|
||||
* {
|
||||
box-sizing: border-box;
|
||||
}
|
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|
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@view-transition {
|
||||
navigation: auto;
|
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}
|
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|
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html,
|
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body {
|
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padding: 0;
|
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margin: 0 auto;
|
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font-family: var(--font-family);
|
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color: var(--text-color);
|
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background-color: var(--background-color);
|
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}
|
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html {
|
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overflow-y: scroll;
|
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}
|
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body {
|
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max-width: 40em;
|
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|
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|
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/* https://www.a11yproject.com/posts/how-to-hide-content/ */
|
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.visually-hidden {
|
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clip: rect(0 0 0 0);
|
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clip-path: inset(50%);
|
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overflow: hidden;
|
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|
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white-space: nowrap;
|
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|
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|
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|
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p:last-child {
|
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margin-bottom: 0;
|
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}
|
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p {
|
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line-height: 1.5;
|
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}
|
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|
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li {
|
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line-height: 1.5;
|
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}
|
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|
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a[href] {
|
||||
color: var(--text-color-link);
|
||||
}
|
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a[href]:visited {
|
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color: var(--text-color-link-visited);
|
||||
}
|
||||
a[href]:hover,
|
||||
a[href]:active {
|
||||
color: var(--text-color-link-active);
|
||||
}
|
||||
|
||||
main,
|
||||
footer {
|
||||
padding: 1rem;
|
||||
}
|
||||
main :first-child {
|
||||
margin-top: 0;
|
||||
}
|
||||
|
||||
header {
|
||||
border-bottom: 1px dashed var(--color-gray-20);
|
||||
}
|
||||
header:after {
|
||||
content: "";
|
||||
display: table;
|
||||
clear: both;
|
||||
}
|
||||
|
||||
footer {
|
||||
border-top: 1px dashed var(--color-gray-50);
|
||||
}
|
||||
|
||||
.links-nextprev {
|
||||
display: flex;
|
||||
justify-content: space-between;
|
||||
gap: .5em 1em;
|
||||
list-style: "";
|
||||
border-top: 1px dashed var(--color-gray-20);
|
||||
padding: 1em 0;
|
||||
}
|
||||
.links-nextprev > * {
|
||||
flex-grow: 1;
|
||||
}
|
||||
.links-nextprev-next {
|
||||
text-align: right;
|
||||
}
|
||||
|
||||
table {
|
||||
margin: 1em 0;
|
||||
}
|
||||
table td,
|
||||
table th {
|
||||
padding-right: 1em;
|
||||
}
|
||||
|
||||
pre,
|
||||
code {
|
||||
font-family: var(--font-family-monospace);
|
||||
}
|
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pre:not([class*="language-"]) {
|
||||
margin: .5em 0;
|
||||
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|
||||
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|
||||
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|
||||
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|
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|
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|
||||
hyphens: none;
|
||||
direction: ltr;
|
||||
text-align: left;
|
||||
white-space: pre;
|
||||
word-spacing: normal;
|
||||
word-break: normal;
|
||||
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|
||||
}
|
||||
code {
|
||||
word-break: break-all;
|
||||
}
|
||||
|
||||
/* Header */
|
||||
header {
|
||||
display: flex;
|
||||
gap: 1em .5em;
|
||||
flex-wrap: wrap;
|
||||
align-items: center;
|
||||
padding: 1em;
|
||||
}
|
||||
.home-link {
|
||||
font-size: 1.5em; /* 16px /16 */
|
||||
font-weight: 700;
|
||||
margin-right: 2em;
|
||||
}
|
||||
.home-link:link:not(:hover) {
|
||||
text-decoration: none;
|
||||
}
|
||||
|
||||
/* Nav */
|
||||
.nav {
|
||||
display: flex;
|
||||
padding: 0;
|
||||
margin: 0;
|
||||
list-style: none;
|
||||
}
|
||||
.nav-item {
|
||||
display: inline-block;
|
||||
margin-right: 1em;
|
||||
}
|
||||
.nav-item a[href]:not(:hover) {
|
||||
text-decoration: none;
|
||||
}
|
||||
.nav a[href][aria-current="page"] {
|
||||
text-decoration: underline;
|
||||
}
|
||||
|
||||
/* Posts list */
|
||||
.postlist {
|
||||
list-style: none;
|
||||
padding: 0;
|
||||
padding-left: 1.5rem;
|
||||
}
|
||||
.postlist-item {
|
||||
display: flex;
|
||||
flex-wrap: wrap;
|
||||
align-items: baseline;
|
||||
counter-increment: start-from -1;
|
||||
margin-bottom: 1em;
|
||||
}
|
||||
.postlist-item:before {
|
||||
display: inline-block;
|
||||
pointer-events: none;
|
||||
content: "" counter(start-from, decimal-leading-zero) ". ";
|
||||
line-height: 100%;
|
||||
text-align: right;
|
||||
margin-left: -1.5rem;
|
||||
}
|
||||
.postlist-date,
|
||||
.postlist-item:before {
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
word-spacing: -0.5px;
|
||||
}
|
||||
.postlist-link {
|
||||
font-size: 1.1875em; /* 19px /16 */
|
||||
font-weight: 700;
|
||||
flex-basis: calc(100% - 1.5rem);
|
||||
padding-left: .25em;
|
||||
padding-right: .5em;
|
||||
text-underline-position: from-font;
|
||||
text-underline-offset: 0;
|
||||
text-decoration-thickness: 1px;
|
||||
}
|
||||
.postlist-item-active .postlist-link {
|
||||
font-weight: bold;
|
||||
}
|
||||
|
||||
/* Archive list */
|
||||
.archivelist {
|
||||
padding: 0;
|
||||
padding-left: 2.5rem;
|
||||
}
|
||||
.archivelist-item {
|
||||
align-items: baseline;
|
||||
margin-bottom: 1em;
|
||||
}
|
||||
.archivelist-item::marker {
|
||||
text-align: right;
|
||||
margin-left: -1.5rem;
|
||||
font-size: 0.8125em; /* 13px /16 */
|
||||
color: var(--color-gray-90);
|
||||
}
|
||||
.archivelist-date {
|
||||
font-size: 0.8125em; /* 13px /16 */
|
||||
color: var(--color-gray-90);
|
||||
word-spacing: -0.5px;
|
||||
}
|
||||
.archivelist-link {
|
||||
font-size: 1.1875em; /* 19px /16 */
|
||||
font-weight: 700;
|
||||
flex-basis: calc(100% - 1.5rem);
|
||||
padding-left: .25em;
|
||||
padding-right: .5em;
|
||||
text-underline-position: from-font;
|
||||
text-underline-offset: 0;
|
||||
text-decoration-thickness: 1px;
|
||||
}
|
||||
.archivelist-item-active .archivelist-link {
|
||||
font-weight: bold;
|
||||
}
|
||||
|
||||
|
||||
/* Tags */
|
||||
.post-tag {
|
||||
display: inline-flex;
|
||||
align-items: center;
|
||||
justify-content: center;
|
||||
text-transform: capitalize;
|
||||
font-style: italic;
|
||||
}
|
||||
.postlist-item > .post-tag {
|
||||
align-self: center;
|
||||
}
|
||||
|
||||
/* Tags list */
|
||||
.post-metadata {
|
||||
display: inline-flex;
|
||||
flex-wrap: wrap;
|
||||
gap: .5em;
|
||||
list-style: none;
|
||||
border-top: 1px dashed var(--color-gray-20);
|
||||
border-bottom: 1px dashed var(--color-gray-20);
|
||||
padding: 3px 0px 3px 0px;
|
||||
margin: 0;
|
||||
font-size: .8em;
|
||||
}
|
||||
.post-metadata time {
|
||||
margin-right: 1em;
|
||||
}
|
||||
|
||||
/* Direct Links / Markdown Headers */
|
||||
.header-anchor {
|
||||
text-decoration: none;
|
||||
font-style: normal;
|
||||
font-size: 1em;
|
||||
margin-left: .1em;
|
||||
}
|
||||
a[href].header-anchor,
|
||||
a[href].header-anchor:visited {
|
||||
color: transparent;
|
||||
}
|
||||
a[href].header-anchor:focus,
|
||||
a[href].header-anchor:hover {
|
||||
text-decoration: underline;
|
||||
}
|
||||
a[href].header-anchor:focus,
|
||||
:hover > a[href].header-anchor {
|
||||
color: #aaa;
|
||||
}
|
||||
|
||||
h2 + .header-anchor {
|
||||
font-size: 1.5em;
|
||||
font-weight: bold;
|
||||
}
|
||||
|
||||
h1 {
|
||||
font-weight: bolder;
|
||||
}
|
||||
|
||||
summary {
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||||
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<h1 id="aoir-8-2-3">AOIR 8.2.3</h1>
|
||||
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||||
<ul class="post-metadata">
|
||||
<li><time datetime="2007-10-20">20 October 2007</time></li>
|
||||
<li><a href="/tags/conferences/" class="post-tag">conferences</a>, </li>
|
||||
<li><a href="/tags/aoir8/" class="post-tag">aoir8</a></li>
|
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||||
<p>Yesterday’s keynote was from Henry Jenkins, entitled “The Moral Economy of Web 2.0: Reconsidering the Relations Between Producers and Consumers.” I’m posting my notes below the fold; anything goofy therein should be attributed to flaws in the notetaker rather than the talk.</p>
|
||||
<ul>
|
||||
<li>Kevin O’Reilly’s statement about web 2.0: “network effects from user contributions are they key to market dominance in the web 2.0 era” - bravado in sense of “harnessing collective intelligence”</li>
|
||||
<li>shouldn’t exaggerate corporate power in web 2.0</li>
|
||||
<li>joke: Please describe web 2.0 to me in two sentences or less. “You make all the content. They keep all the revenue.”</li>
|
||||
<li>confusion of pronoun in media representations of web 2.0 (like Time’s “you” as person of the year): “you” = both singular and plural</li>
|
||||
<li>collaborative meeting place of multiple subcultures in one shared platform</li>
|
||||
<li>talking about web 2.0 as being so revolutionary erases history of older modes of participatory culture: fandom</li>
|
||||
<li>fan cultures now central to calculations of media companies; many companies now act like they invented this participation</li>
|
||||
<li>unstable truce between production companies and fan fiction authors</li>
|
||||
<li>FANlib - web 2.0 company - saw a market in fan fiction; but knew almost nothing about fan fiction: fan fic writers are 90% female; execs all male; hamfisted ad campaign</li>
|
||||
<li>“managed and moderated to the max” - finessed and managed</li>
|
||||
<li>but fan fiction was “unpublishable” in the best possible sense</li>
|
||||
<li>fan culture began asking critical questions about FANlib system: is this a trap? why do we need to be corporately managed? why should this company make money off of our labor?</li>
|
||||
<li>conflict between gift economy and commodity culture</li>
|
||||
<li>key ideas behind convergence culture:
|
||||
<ul>
|
||||
<li>“Convergence is a cultural rather than a technological process. We now live in a world where every story, image, sound, idea, brand, and relationship will play itself out across all possible media platforms.”</li>
|
||||
<li>(convergence is not about device; instead about transmedia entertainment)</li>
|
||||
<li>“In a networked society, people are increasingly forming knowledge communities to pool information and work together to solve problems they could not confront individually. We call that collective intelligence.”</li>
|
||||
<li>“We are seeing the emergence of a new form of participatory culture (a contemporary version of folk culture) as consumers take media in their own hands, reworking its content to serve their personal and collective interests.”</li>
|
||||
</ul>
|
||||
</li>
|
||||
<li>an example of participatory culture: a slide of his own ideas about participatory culture that he found online</li>
|
||||
<li>low barriers for engagement, spring support for sharing creations with others; informal mentorship; members believe their contributions matter; care about others’ opinions of self and work; “Not every member must contribute, but all must believe they are free to contribute when ready and that what they contribute will be highly valued.”</li>
|
||||
<li>benkler on hybrid media ecologies - secondlife as different groups using same participatory spaces, breaking down boundaries between communities?</li>
|
||||
<li>major struggles now: net neutrality debate</li>
|
||||
<li>new work on civic media and civic engagement</li>
|
||||
<li>in this world, shift in what it means to be a consumer (“the group formerly known as the audience”) - spreadable media rather than sticky media</li>
|
||||
<li>words starting to be used to talk about new audience modes: loyals, produsers, media-actives, etc</li>
|
||||
<li>Grant McCracken: “multiplier” - participates in construction of brand; company depends on them to complete the work</li>
|
||||
<li>mashups of Apple ads make fun of the ads, but still remind us of them</li>
|
||||
<li>Axel Bruns: produsage - more fluid roles between consumption and production, collaborative and critical</li>
|
||||
<li>pyramids of participation; power law</li>
|
||||
<li>older modes of participatory culture had very strong models for pulling newbies into the community, allowing them to become more active participants; newer modes rely on a small number of active participants and a large number of less active folks</li>
|
||||
<li>browncoats and serenity: studio used fans to help market film; after film left theater, studio sent fans invoice for their use of images; browncoats responded with an invoice for $2 million for their marketing labor</li>
|
||||
<li>new consumers are migratory, with a declining loyalty to particular networks or media</li>
|
||||
<li>new consumers are more socially connected</li>
|
||||
<li>new consumers are noisy and active (live remake of burly brawl)</li>
|
||||
<li>new consumers are resistant, taking media in their own hands (HP Alliance - transforming Harry Potter fandom into political platform)</li>
|
||||
<li>from world of impressions (brands imprinted on us) to world of expressions</li>
|
||||
<li>from intellectual property to emotional capital (what we invest in texts, what we make of them)</li>
|
||||
<li>“lead users” - Eric von Hippel, Democratizing Innovation; early adopters adapt products to their own desires</li>
|
||||
<li>consumer curating - fans driving re-release of older media</li>
|
||||
<li>“wizard rock” - Harry Potter music</li>
|
||||
<li>independent artists using web 2.0 to drive distribution of their work</li>
|
||||
<li>Mark Deuze, MediaWork</li>
|
||||
<li>range of positions in companies, from prohibitionist (trying to shut down participatory uses of company’s material) to collaborationist (seeing value in such participation)</li>
|
||||
<li>moral economy - on the one hand, free labor</li>
|
||||
<li>on the other hand, panic of people like Andrew Keen (cult of amateur)</li>
|
||||
<li>poster boy for power of participatory culture: Stephen Colbert - encourages remix of materials he publishes; YouTube distribution of Washington Press Corps talk; joking relationship with Wikipedia</li>
|
||||
<li>but the production company has sent YouTube takedown orders to remove Colbert clips - contradictory space, companies torn by conflicting ideologies</li>
|
||||
</ul>
|
||||
|
||||
<ul class="links-nextprev"><li class="links-nextprev-prev">← Previous<br> <a href="/aoir-822/">AOIR 8.2.2</a></li><li class="links-nextprev-next">Next →<br><a href="/aoir-831/">AOIR 8.3.1</a></li>
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