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<h1 id="twelve-reasons-i-hate-neil-labute">Twelve Reasons I Hate Neil LaBute</h1>
<ul class="post-metadata">
<li><time datetime="2002-08-23">23 August 2002</time></li>
<li><a href="/tags/random-thoughts/" class="post-tag">random thoughts</a></li>
</ul>
<p>1. For his conviction that he had the right temperament to succeed in his adaptation of <em>Possession,</em> a brilliant novel now stinking up a Multiplex near you: “I loved the parallel stories … really all the things that were in the book interested me. I was in academia. Ive been an anglophile for a long time. I have always written about relationships and here were two relationships that were very different. So all the elements spoke to me, it just seemed like a natural fit.” (From the <a href="http://www.indiewire.com/film/interviews/int_LaBute_Neil_020814.html">IndieWire interview</a>.)</p>
<p>2. <em>In the Company of Men</em>.</p>
<p>3. <em>Your Friends and Neighbors</em>. (Need I elaborate?)</p>
<p>4. For saying the following about <em>Your Friends and Neighbors</em>: “I think of the movie as a comedy in many ways. I think there are quite a few laughs in the movie. As youre sitting there watching it, you may think about something beyond that, and feel that its got some teeth to it, but I do think it has some bite. But its still a comedy.” (From the <a href="http://www.theavclub.com/avclub3404/bonusfeature13404.html">Onion A/V Club</a> interview.)</p>
<p>5. For making it impossible for me ever to like Ben Stiller again.</p>
<p>6. For joking, with regard to <em>In the Company of Men</em>, that “I was trying to make a feel-good summer hit (laughs).” (From the <a href="http://www.salon.com/aug97/entertainment/labute970801.html">first Salon interview</a>.)</p>
<p>7. For single-handedly creating the career of <a href="http://us.imdb.com/Name?Eckhart,+Aaron">Aaron Eckhart</a>.</p>
<p>8. For my sneaking sense that he would enjoy the fact that I hate these movies so much.</p>
<p>9. For being a real bonehead about the reaction to his movies: “At [<em>In the Company of Men</em>s] Sundance debut, an audience already on edge over the uncomfortable ending threw its first question at the writer/director: Why is the movies victim a deaf woman? And I just, kinda offhanded, said, “Because I always thought deaf people were funny,”‘ recalls LaBute, who, of course, instantly acquired a rep for insensitivity. For a long time, that label stuck — the films still called misogynist.'” (From the <a href="http://www.dallasobserver.com/extra/labute-1.html">Dallas Observer</a>.)</p>
<p>10. For having an insufficient number of <a href="http://www.rottentomatoes.com/p/NeilLaBute-1125185/">rotten tomatoes</a> hurled at him.</p>
<p>11. For this assessment of the horrors of 9/11: “I wrote about a sort of flash point I had, where I was standing in line, four days later, in Union Station in Chicago, lugging my bags around trying to get on this train and half-hoping there was a first-class line that I could get in to, and sort of realizing, you know, that were back to basics, everybody was just sort of fighting for space. And I had this moment of thinking, ugh, I really dont like this, its really inconvenient what happened. Its really sad, of course. But its rather inconvenient today. ” (From the <a href="http://dir.salon.com/ent/movies/int/2001/11/26/labute/index.html">second Salon interview</a>.)</p>
<p>12. For the thought, the very <em>thought</em>, that he might be involved in the film version of <a href="http://www.hollywood.com/movies/detail/movie/377228">Angels in America</a>.</p>
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